Skip navigation | Hello Netscape 4.x (or other older browser) User! The Southern web site is optimised for viewing in newer web standards compliant browsers (firefox, safari, opera, ie6). You still have full access to the content of this site but the layout is simplified. Please take this opportunity to freely upgrade to a browser from the last few years to enjoy the enhanced layout. you can use the keyboard to select the main options via access keys at any time: n = news, t = tours, l = labels, g = gallery, d = forums/discussions c = contact h = home/main page, u = upcoming releases, r = recent releases, s = skip navigation.
The music on this recording was created by Frontier through the use
of multiple-input resonance electronics during a live recording session on
May 8, 1997. Multiple-input resonance involves controlling the sympathetic
vibrations created by independent sound sources within a closed system.
For these compositions, three sets of guitars and amplifiers were placed
in a sealed acoustic chamber, with the amplifiers aimed inward along a
triangular layout. This arrangement of instruments was designed to permit
the triggering of the natural oscillating frquencies unique to each
guitar. Additionally, each guitar feedback signal was run through its own
set of analog signal processors before being amplified, creating three
distinct tone sources. The composition of the four pieces on this
recording resulted from controlling the amplitude and frequency of the
feedback generated by each one of the three guitars.
Recorded by Korey Ireland and Colin Mahoney at Wheeler Audio
Associates.
Mixed by John David Hiler at Double Wide/Noise.