Rachel's
The Sea and the Bells
Reviewed By Stewart Lee in the UK Sunday Times, 3rd November
1996.
ROCK naturally tends towards repetition. So, whenever it dabbles with
high culture, it's usually the minimalists who get invited out to party.
But Rachel's bring delicate baroque stylings and lush orchestral
arrangements to a dynamic post-rock sensibility. The 17-strong line-up
mixes musicians from symphony orchestras with the cream of Chicago's
avant-rock scene and a creative core, lately, of the impossibly heavy and
absurdly ornate Rodan. In the dreadful 1970's, Deep Purple and
friends
thought if they threw enough sheet music at the studio walls some of it
might stick, but The Sea and the Bells, the third Rachel's album,
is,
thankfully, no Concerto for Group and Orchestra. Leader Jason
Noble's
continued fascination for all things maritime is here re-expressed through
13 elegant instrumental pieces, a dignified and unprecedentedly beautiful
requiem for the days of the clipper ship, a fully fledged work of art that
you are unreservedly urged to own.