An Interview with Charles Maggio (September 1997)

Charles Maggio spent the early part of the 90's scaring children as the vocalist in Rorschach and starting a small record label called Gern Blandsten in River Edge, New Jersey. Now earning an impressive reputation for releasing discography CD's by some of the finest, most influential U.S. punk/hardcore bands, Charles has also been continually putting out great records by current American bands including The Van Pelt, Rye Coalition and Chisel.


*question one*
First of all, which came first, Rorschach or Gern Blandsten?
Charles: Rorschach started in May of 1989, Gern Blandsten started in early 1992, so I guess Rorschach was first.

*question two*
You are generally regarded in the hardcore scene as "a nice guy". Is this normal behaviour for an ex-singer in a brutal grindcore band?
Charles Brutal grindcore is a misnomer first off, I like to call Rorschach "brutal hardcore with metallic influences", in which case then yes "a nice guy" is normal behavior for an ex-singer. "Brutal grindcore" singers are more prone to the "he's an asshole, but he has a great voice" category, and I like to stay out of that.

*question three*
How has the label changed from when you were releasing stuff like Merel, Rorschach, Native Nod, etc?
Charles
Not as much as it may seem. I was releasing records then by existing bands that had a great deal to do with what I was involved with at the time. I think all of those bands are great bands, just as I think all of the current bands that I am putting out are great bands. A lot of the bands I am releasing now are the same people doing different bands, the new bands being better than the old bands. I just got lucky enough to stumble across a determined and talented group of people that wanted me to do their records.

*question four*
Were you aware of the impact that these bands would have on the current hardcore scene?
Charles
Back then, not at all. I never thought of it in those terms then. I was just extremely interested in what those bands were doing then. I think some of the bands have that should have made more of an impact (Native Nod, Sticks & Stones, 1.6 Band) never got a fair shake and were never really able to do any extensive touring because of their age and stuff so they just sort of fadad away. Then again I have no way to guage "impact" so I could be wrong about those bands.

*question five*
You have now released four of the greatest discography CDs in the history of punk/hardcore as well as a Chisel compilation CD. How important do you feel it is to keep these songs available, usually for the first time on CD?
Charles I don't know if everyone would agree, but I thought that those four discographies and the Chisel CD were important documentation of what went on in the early 90's in this area. It gives people a point of reference and a chance to hear good music without having to spend outrageous money to get the original vinyl copies. I only wish I had the resources to keep the vinyl in print, but I don't. So I tried to do the next best thing and cram a bunch of CD's to their time limit with complete histories of the bands. I also think it is important for younger kids for years to come that need to have access to this music. Unfortunately, especially nowadays, kids only hear what is easiest to consume so that is why there is a giant legion of kids following Fat Wreck Chords and Epitaph exclusively. They are the two easiest labels to buy in the world for the "punk rock kid", so the "punk rock kid" buys them and never branches out from there. So the easier I make this music to get the better my chances of having more people listening to it.

*question six*
As always the bands currently on Gern Blandsten are all very different from each other. Is it a conscious decision of yours when you put out a record that you want the label to stay as varied as possible?
Charles
There is no concious effort on my part to try to stay varied in my releases, it just so happens that the bands that I have encountered in the last few years are drastically different from one another but they are all still great at what they do. I have no mindset to keep the label varied, but when I get tapes and demos from bands that sound like Garden Variety or Rorschach I kind of think "I already put those bands out", so it's harder for me to get excited over it.

*question seven*
"Gern Blandsten" - what's that about then?
Charles
Gern Blandsten, for all the Europeans that may have never had the pleasure of growing up with him, is a bit from a Steve Martin comedy record in which he says that it is his real name. The album is called "Comedy Isn't Pretty" and should be owned by everyone.

*question eight*
Your next release is a full length CD/LP by the Yah Mos. Who are they and where did you find them?
Charles The Yah Mos LP/CD, if it ever comes out, are a band from the Capitol of California ... not L.A., not Hollywood, not San Francisco, they are from Sacramento and I found them reeking havoc across our great nation in the Summer of 1994, and on two pieces of 7" vinyl (one on Sunny Sindicut, and one on Moo La La). They will turn heads, I guarantee it!




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